William Hague signs the Commitment Book for Holocaust Memorial Day 2012
Photograph by me, 26th January 2012
William Hague signs the Commitment Book for Holocaust Memorial Day 2012
Photograph by me, 26th January 2012
Exploring Mexico with Google Street View
There is certainly some project waiting for me involving Street View, but there is still a lot left to work out.
In other news, my dissertation based around Google Street View is nearly done.
We miss you Charlie!!!
Anonymous asked: congrats on finishing the 365 project! just wondering what your highlights were? and also, how many photos do you think you took in 2011???
Thanks!
The Open House weekend was a big treat. Visiting Trellick Tower and Tower 42 was a lot of fun.
I’ve just tried to do a rough approximation, and it’s around 23,000
zedonk mesonoxian
31st December
365/ 365Finished!
Really pleased I saw this project through to the end, even if a lot of the time I got very lazy with it. I knew before I started that it wasn’t about making good photographs every day but instead being open to making good photographs often, by never being far from my camera. I found it also to be more of a diary than I had expected. In the first few months, I was cycling around the Square Mile and shooting a lot of buildings for the project, but a change of house half way through the year caused me to shoot more portraits.
I’ve had a welcome break from cameras in the past six days, which has been both refreshing, but also strange. Post-365 project depression? This is the third year-long project I’ve completed (a picture of myself, once a month for a year, and 7 portraits per week, for 52 weeks) and certainly the most successful, and I’d like to do another some time in the future, possible when I know I’ll be travelling a lot, or if I decide to focus on a specific subject matter.
Thanks to all my friends for being willing enough to be photographed!
Installation view of my Transitional Space series. Exhibited at the New Gallery in May 2011.
See the images here - http://cargocollective.com/brendonfraser#2496600/Transitional-Space
Put together a cargo portfolio recently. Check it out here - http://cargocollective.com/brendonfraser
Found out a few days ago that this photograph will be included at the Sense the City exhibition at the London Transport Museum. Runs from late January through till March.
http://www.ltmuseum.co.uk/whats-on/exhibitions/upcoming-exhibitions
Here’s another photograph I submitted too, which I prefer, especially in terms of the brief for this competition.

Crushed Beaks are a duo from London, comprised of Alex Morris and Matthew Poile. Photographed by myself and featured in the NME which was released on 19th October 2011


Check them out here - http://soundcloud.com/crushed-beaks
A few shots from a shoot with the Men’s fashion store Meet Bernard, who are based in Greenwich




JONATHAN CHERRY: What gets you up in the morning?
BRENDON FRASER: By being excited by what’s out there. Bike rides, skateboarding, architecture and people, and combining them together with photography.
JC: Are there a couple of emerging photographers inspiring you at the moment?
BF: A lot of friends and classmates are making great work right now. Alex Harley, Charlotte Streeter, Craig Barker, Daniele Da Meda Others include Jon Rafman, Colin O’Brien, Ian Berry, and lots more. I gain the most pleasure from viewing vernacular and amateur photographs. Amateurs have a great way of photographing everything - the sifting through this to find hidden gems is rewarding.
JC: What initially drew you to photography?
BF: When I was much younger, the mechanics of cameras was very fascinating, but nowadays it has become a motivation to see the world and form my own ideas.
JC: What is Transitional Spaces all about?
BF: I am interested in the ways that space is divided up into sections and how cities grow from this. Because of this, I choose to focus on one space inside a city for each photograph. Each of these spaces is a transitional area between others. Movement from people is what is required to give these spaces meaning. The people in the photographs represent the everyday, using the space purely for function. The minimal aesthetic disregards locational context - we cannot place these photographs with our prior knowledge. Fitting architecture into this is a fascinating problem - I set out to include notable buildings, but I try to photograph them in a way that obscures their original function.
JC: What is your current body of work all about?
BF: Right now, I am just shooting photographs of friends, buildings and cities.
JC: What has the rest of 2011 got in store for you photographically?
BF: I am done with Transitional Spaces now, but I have been brainstorming for what is next. I am intending to move into the almost taboo (within certain circles) area of staged street photography. Right now, I imagine I will come up with 5-10 large scale works. If this all works out, it’ll be part of an exhibition in 2012.
Aside from that, I am doing a 365 diary project.
JC: Are you looking forward to third year? What is your dissertation all about?
BF: Yes, it’ll be nice to get back into academic productivity. Street photography and similar branches of photography, and seeing if they can be methods of change in society.
Thanks Mull It Over!
Update on this - dissertation is now all about Google Street View, and how it fits into the canon of photography. I’m looking at work by Jon Rafman, Doug Rickard and Wolf. Still toying with ideas for my final major project, but I think it might end up focusing on state-built architecture.